102 posts categorized "Media Literacy"

September 19, 2014

Google Teacher Academy with NoTosh: a heck of an opportunity

 

Teachers take the seemingly impossible and make it happen. Every day. Teachers are the moonshot profession. We want to work with as many of you as possible in London and Amsterdam this year, at our GTA design thinking workshops.

When NoTosh took the Google Teacher Academy (GTA), we wanted to move it beyond simply exploring 'tech tools' and see if we couldn't harness the talents of educators, a sprinkling of technology, and a foundation of inspiration and moonshot thinking to really change the world of education.

Well, Google let us do it.

This weekend is the time to get your application in for London or Amsterdam's GTAs this autumn. Applying is the first step in opening up an amazing year ahead:

  • two weeks to put forward the education challenges you face on your doorstep or in your classroom;
  • two days intensive design thinking / technology professional development and action with the NoTosh crew, Googlers and selected Google Mentors
  • six months support from the Mentor team to put your prototype ideas into practice and continue to transform learning in your school.

If you're a school leader, please apply yourself, or encourage your teams to do so. If you're an innovator teacher, jump in and share your dreams for learning. If you're an educator in FE, HE or early years, consider representing your sector with an application, and add something different to the mix.

The Google Teacher Academy has been redesigned to help teachers gain understanding of the latest technologies while working in collaborative teams to solve chunky challenges that they've identified. Participants will be coached in harnessing the design thinking process to select and frame the chunkiest challenges in education, locally and globally, before working over two intensive days to prototype solutions alongside Googlers and selected expert coaches. 

Design thinking is an innovation process used by some of the world's most successful organisations to find and solve the greatest challenges on the planet. It is a simple process that can be harnessed back in your classroom, putting your students in the driving seat of their learning.

Selected expert mentors and Googlers will introduce new technologies with the potential to transform learning, as well as revisiting more familiar tools with a lens of student-centred learning in mind. 

Participants will learn by doing, working in teams of fellow educators to trial their ideas there and then, before being supported for six months by a mentoring team as they try out new methodologies and technologies in their classroom.

NoTosh, your facilitators for this journey, are global experts in innovation, creativity and learning, with offices in Edinburgh, Melbourne and San Francisco. The entire team plus a group of selected educators from the UK and Netherlands, will be on hand to support you as you put your ideas into practice.

You can apply for GTA London and GTA Amsterdam until September 22nd. 

May 04, 2014

Look Up: knowing when to drop your tech to really learn...

Look Up. Effective technology use is knowing as much when to drop it, as to use it.

"Where we leave out all the bad bits, show no emotion…" A poem about real world empathy, being in the present, shutting down that screen... after you've watched it on YouTube, of course.

The point made here, though, is an interesting one when we reflect on the design thinking process and why it seems so powerful for learning, and is clearly distanced from "innovative technology use" when we see it used in schools. If anything, the key parts in the process - defining and reframing problems, ideating solutions to them, and soliciting and acting upon feedback, have nothing to do with a screen. There's great design research showing, too, that technology has failed to step up yet to the complexities of the real world thinking that our brains go through when trying to make sense of complex information in order to define a problem, or ideate a solution (e.g., Dorta, T., Pérez, E. and Lesage, A. (2008) - The Ideation Gap).

So, yes: look up, don't let the world pass by. Observe it, note the normal, embrace the differences and happenstance, create something new with someone else.

Cross-posted to NoTosh's regular updates on the Facebook page.

March 21, 2014

Lessons from Disney Pixar on how creativity leads to more summative success

Pixar and Creativity.001

Pixar, since it was purchased by Disney, gives off an air of resilient creative and commercial success, but the journey is rarely that smooth. In fact, the more creative the output, the more commercially successful it is, for Pixar at least, and the processes used by the teams is remarkably close to what we see in highly effective classrooms.

During a keynote en français in Québec, I wondered why learning today sometimes felt less personalised than 30 years ago when personal computers first hit my primary school. Inspiration came to me from my daughters, Catriona and Anna, as for the nth time they sang along to the karaoké version of Disney's Frozen title track, Let It Go:

I was fascinated by the obvious success of this film in hooking my kids, and wondered if I might be able to make some links between what we know works, from the research of Dylan Wiliam, Hattie and the like, and what we see works in the creative industries with films like this. Much of the insight comes from a new book by Pixar’s President, Ed Catmull, which is released this April: Creativity, Inc.. Excerpts from the book can be read in this month’s Fast Company.

1. We all start out ugly

“After the original leaders of animation left Disney in the 1990s, the new people running things were from production. And they brought their values, which were to keep the production people busy and productive with one movie after another. So story development was organized in the same way they organized production. As a consequence of this "feed the beast" mentality, a balance was lost at Disney.

“The cost of that becomes clear when you think of how a movie starts out. It's a baby. It's like the foetus of a movie star; we all start out ugly. Every one of Pixar's stories starts out that way. A new thing is hard to define; it's not attractive, and it requires protection. When I was a researcher at DARPA, I had protection for what was ill-defined. Every new idea in any field needs protection. Pixar is set up to protect our director's ugly baby.”

This process is markedly not just a creative one - it involves critical thinking, too. But the point at which critical analysis is introduced is, well, critical. Too early, you kill your baby before it has a chance to grow fully. We do this all the time when we survey progress too early, or don't know what the purpose of an immersion period is.


2. We’ve been through the process ourselves. We share the language and steps

“People who take on complicated creative projects become lost at some point in the process. It is the nature of things--in order to create, you must internalize and almost become the project for a while, and that near-fusing with the project is an essential part of its emergence. But it is also confusing. Where once a movie's writer/director had perspective, he or she loses it. Where once he or she could see a forest, now there are only trees.”

Key to making sure that the balance is struck, and struck at the right time, is having a process on which you can depend, and which everyone in the team can trust. Most creatives we know at NoTosh use design thinking, or some version of it. The language between each team is different, but the language within each team is shared and common.

They all recognise that in the initial period of immersion it is too early to make the call as to the worthiness of any given problem or challenge. By synthesis they know that there is an opportunity to critique, to make sure that we’re headed on the right path. By the time you enter the ideation, prototyping and feedback loop, you are constantly starting and stopping, but each idea is small enough, light enough and on strong enough foundations of the immersion, to cope with tweaks, both major and minor. New ideas can get ditched easily, with a fresh crop of better ones emerging from the dust of the feedback.


3. Decide on your rules

“Earlier, before the screening, Pete had described what they'd come up with so far. "What's inside the mind?" he asked his colleagues. "Your emotions--and we've worked really hard to make these characters look the way those emotions feel. We have our main character, an emotion called Joy, who is effervescent. She literally glows when she's excited. Then we have Fear. He thinks of himself as confident and suave, but he's a little raw nerve and tends to freak out. The other characters are Anger, Sadness--her shape is inspired by teardrops--and Disgust, who basically turns up her nose at everything. And all these guys work at what we call Headquarters."

“That got a laugh, as did many scenes in the 10-minute preview that followed. Everyone agreed that the movie had the potential to be, like Pete's previous film Up, among our most original and affecting. But there seemed to be a consensus that one key scene--an argument between two characters about why certain memories fade while others burn bright forever--was too minor to sufficiently connect audiences to the film's profound ideas.

“Midway down the table, Brad Bird shifted in his chair. Brad joined Pixar in 2000, after having written and directed The Iron Giant at Warner Bros. His first movie for us was The Incredibles, which opened in 2004. Brad is a born rebel who fights against creative conformity in any guise. So it was no surprise that he was among the first to articulate his worries. "I understand that you want to keep this simple and relatable," he told Pete, "but I think we need something that your audience can get a little more invested in."

“Andrew Stanton spoke next. Andrew is fond of saying that people need to be wrong as fast as they can. In a battle, if you're faced with two hills and you're unsure which one to attack, he says, the right course of action is to hurry up and choose. If you find out it's the wrong hill, turn around and attack the other one. Now he seemed to be suggesting that Pete and his team had stormed the wrong hill. "I think you need to spend more time settling on the rules of your imagined world," he said.

“Every Pixar movie has its own rules that viewers have to accept, understand, and enjoy understanding. The voices of the toys in the Toy Story films, for example, are never audible to humans. The rats in Ratatouille walk on four paws, like normal vermin, except for Remy, our star, whose upright posture sets him apart. In Pete's film, one of the rules--at least at this point--was that memories (depicted as glowing glass globes) were stored in the brain by traveling through a maze of chutes into a kind of archive. When retrieved or remembered, they'd roll back down another tangle of chutes, like bowling balls being returned to bowlers at the alley.

“That construct was elegant and effective, but Andrew suggested that another rule needed to be clarified: how memories and emotions change over time, as the brain gets older. This was the moment in the film, Andrew said, to establish some key themes.”

If it takes a long time for Catmull to describe the formation of rules that guide the creation of a film, it takes an equally long time to make them clear in a learning situation. Taking Dylan Wiliam’s five key areas that teachers and schools might develop, one might feel that there are ready-made rules about “the way we should teach and learn”, ready to take off the shelf:

Dylan Wiliam.001

But schools need to have internal discussions amongst staff about how to internalise these into the story they are trying to tell, with their clientèle in their locale, work out what the rules of their game are. Then teachers have to have the same conversations with their students, taking time out to think about thinking, to learn how to think - those learnings become the rules of engagement for the class, keeping learning on the straight and narrow, even when a project is complex, even when the project team is only seeing trees and no forest.

 

4. Know how to take feedback, and find a producer to help you through it

“An important corollary to the assertion that the Braintrust must be candid is that filmmakers must be ready to hear the truth; candor is only valuable if the person on the receiving end is open to it and willing, if necessary, to let go of things that don't work. Jonas Rivera, the producer of Pete's film, tries to make that painful process easier by "headlining" the main points of a Braintrust session--distilling the many observations down to a digestible takeaway. Once this meeting wrapped up, this is what he did for Pete, ticking off the areas that seemed the most problematic, reminding him of the scenes that resonated most. "So what do we blow up?" Jonas asked. "And what do you love? Is what you loved about the film different now than it was when we started?””

Getting critiqued is never pleasant, even if you’re used to feedback and feed forward from your peers. Despite the feeling that we give good feedback to students, teachers are, in a decade of seeing their feedback on conferences, less strong at giving feedback on their own learning. It takes work, effort, energy and sometimes a little painful learning to get feedback that is, in the words of Ron Berger, Kind, Specific and Useful. In the film industry, the Producer’s job in these “brain trust” advisories is to capture that feedback, headline it and begin to make it as useful as possible for the Director, who’s just had his worked critiqued, and might feel a bunch of things, not all positive.

In a classroom setting, when we are giving and receiving feedback, who is the third person playing the role of Producer?

 

5. The Pupils' View

During my talk, I asked a group of seven students to act as my own braintrust during the talk, providing me with the actions they as students might undertake to make a vision of a more shared learning journey come true, and to highlight which elements of this (new and slightly too hot-off-the-press talk) I should emphasise in the future. Here's what Marianne, Laurie, Marie-Pier, Roxanne, Mathieu, Éloïse and Joana from l'Ecole des Sentiers put to me via Twitter, and what I read out as my conclusions for the talk:

  • As students, we must also get involved! When teachers offer ideas using technology, they are easily discouraged, but students also have their long journey to undertake, too.
  • We must show them that we are interested and we are ready to encourage. Teachers feed the enthusiasm of their students.
  • We should be encouraged to be creative, to risk failure to rise, dust ourselves down and be better next time. Do not prioritize performance above all else.
  • As students we should create a school forum where everyone would be comfortable giving their ideas and asking questions.
  • Don’t be afraid to ask questions and to assert your ideas, as the opinion of the students is also important. We have a head on our shoulders.
  • And sometimes we can see things from another side :)
  • Our idealistic idea: find a way to finance the purchase of tablets for each pupil. There’d be no more need for a heavy textbook, manual or notebook. And we could connect with interactive whiteboards, with communication between student and teacher encouraged. There’s also an ecological advantage.
  • Students want to be involved in the course. No more lectures. Students could also talk in front of the class, expose other ideas, what we have understood. Help us not to have to depend on teachers so much.
  • Students would be able to give their ideas, eg for course topics or written work ... All ideas are welcome.
  • Suggesting an idea is the best demonstration of intelligence.
  • Do not aim solely at the acquisition of specific skills encourage overall development.
  • We must be able to define our own rules :)

En tant qu'élèves, on doit aussi s'impliquer! Quand les enseignants proposent des idées en utilisant les technologies, ils se decouragent facilement. Donc les élèves on aussi leur bout de chemin à faire.
Il faut leur montrer qu'on est intéressé et qu'on est prêt à les encourager. Les professeurs se nourrissent de l'enthousiasme de leurs élèves
On devrait être encouragé à la créativité, le risque, à tomber pour se relever meilleur. À ne pas prioritiser les performances.
En tant qu'élèves nous devrions créer un forum école où tout le monde serait bien à l'aise de donner leurs idées et poser leurs questions
Pas avoir peur de poser des questions et de s'affirmer, car l'opinion des élèves est aussi important. On a une tête sur les épaules
Et on voit parfois les choses d'un autre côté :)
Idée idéaliste: trouver un moyen de financer l'achat de tablettes propres à chaque éleve. Plus besoin de manuels ni cahier de notes,
Et connecter avec les tableaux interactifs, la communication élève-prof est favorisée. Avantage écologique également
Les élèves veulent être impliqué dans les cours. Plus de cours magistraux, les élèves pourraient aussi parler en avant de la classe, exposer
Aux autres leurs idées, ce qu'ils comprennent. S'aider entre nous et ne pas dépendre des enseignants
Les élèves aimeraient pouvoir donner leurs idées, par exemple pour les sujets de cours ou de productions écrites… Toute les idées sont bonnes
Une idées c'est la plus belle demonstration de l'intelligence
Se developer en tant que personne a l'école. Ne pas viser l'acquisition de compétence trop spécifique et encourager le développement global.
Il faut pouvoir définir nos propres règles :)

EchofonLiteScreenSnapz001

July 03, 2013

What technology would you kill in schools?

Ewan McIntosh interviewed for RSA
What is the one technology I would kill off in schools, and which one would I replace it with? Are screens responsible for kids being more demanding and should adults be telling kids how to achieve balance in their lives between tech and the rest?

Yesterday I was interviewed via Skype from the offices of Camilla Batmanghelidjh's kids company, by students from five RSA Academy Schools (the same RSA behind the RSA Animates and our WatchDrawThink campaign around those Animates).

The students have been creating audio podcasts on the topic 'What About Tomorrow?' - teenagers growing up in uncertain times, and interviewed Sir Ken Robinson at The RSA in London this week, and me in Edinburgh, over Skype, on the topic. They'll agreed to let me publish the full interview with me here and now, excerpts of which will appear alongside Sir Ken's and Camilla's take later in the year.

Ewan McIntosh Interview RSA



March 29, 2013

Help! Missing: trust in young people

I'm currently attempting some "holiday" in France, but the downtime has had my brain whizzing with sights that are more or less unfamiliar, certainly not from the time when I lived here over a decade ago or from my wife's own upbringing.

One such thing is what you can observe in the photo I took in a book shop in a city centre mall. This was the third shop we'd been into where we observed the same pattern:

Children and teenagers, though never adults, would diligently and without having been told to, take their bags to the entrance and dump them in a pile before going about their shopping.

I remarked that in pretty much any other country, a) the bags would be stolen within minutes, or b) they'd be removed as a bomb threat, and almost certainly c) any young person asked on entering a store to leave their bag would cry foul, civil liberties and assumptions of innocent-until-caught-with-a-loot-of-school-supplies (this was a stationery and book shop; hardly the stuff of hardened crack heads or hungry desperadoes).

France is certainly struggling at the moment. Her economy is dying, her politicians panicking, her entrepreneurs leaving by their hundreds every week on the Eurostar.

But success might be more likely to appear some day soon if it can do one thing for the taxpayers, citizens and workers of tomorrow: trust them as equal citizens in a Republic built on liberté, égalité and fraternité.

Help! Missing: trust in young people

September 04, 2012

If you could only teach ten points, what would they be?

If you were to look at your school year ahead, and choose only ten things to actually teach explicitly, what would your top ten lecturettes be?

 When we're working with teachers on our take on Design Thinking, one of the hardest concepts of change for folk to get their head around is that teachers can teach a lot less to achieve much more. In that initial "immersion" into an exploratory area, students need plenty of content made available to them, but they don't need taught it. They just need rich resource and time. Here's how some of our Brisbane Design Thinking School teachers approach that immersion stage, by trusting their students and doing their best to "get out of the way of learning":

 

Immersion from Danielle Carter on Vimeo.

So counter-intuitive is this point, that we normally end up referring to research that shows how much we can learn without being taught. Sugata Mitra's hole in the wall experiments in India are indicative of what can be achieved when children with no or little education, and no English, are given lots of content and time to grapple with it together. Within months, by coaching each other and playing, they become fluent not just in a new language, but also in the science or maths concepts they've been playing with:



Likewise, there's some compelling research showing how much more learning takes place when students work collectively in a team, coaching each other to create a team-based product of learning with individual accountability built in. The effect of cross-age or cross-ability coaching is equivalent to every student, not just the one "being coached", having one-on-one teacher coaching. There is double the amount of learning, in fact, than when the teacher is leading learning from the front (evidence from Dylan Wiliam's Embedded Formative Assessment, page/reference unknown at present time).

And there are also personal stories; not highbrow, large scale research, but it makes the point powerfully, too: we don't need to have teachers teach for learners to learn:

Last year, while sitting with Sugata in a pre-keynote speakers' room, I showed him a video I had shot in the car a few months previously. It is my daughter Catriona, sitting in her seat, singing along to the Beatles. The interesting thing is that she knows all the words to the song, verbatim, having never been taught them. Not only that, but having not had a CD player in the house since she was born, and having only just got a CD player in the new car, she had never heard this music before, either. Except for the nine months she was in the womb, when we did have a CD player in the house.

 

If you were to look at your school year ahead, and choose only ten things to teach, what would your top ten lecturettes be?

August 13, 2012

Using spam to learn about persuasive language

Spam

A genius lesson or two from Scottish colleagues who immerse students in real world spams in order to see what kinds of reply they might write:

I gave a class of twelve year olds a selection of genuine spam emails and asked them to write down what their replies to these would be. It mostly purported to be from a distressed Nigerian monarch living in exile looking for a friendly Briton to share a fortune with. Some of the kids quickly twigged and wrote sarcastic, tongue-in-cheek responses. But a few of them seemed genuinely intrigued and happy to enter into correspondence; others tried to negotiate the terms to make more money. It was this naivety and innocence that I wanted to address in the pupils. They had to become aware of dastardly tricks.

As an English teacher, it was important to zoom in on the persuasive language techniques used in spam emails. By the end of the unit pupils could tell you that spam emails use terms of endearment to hook in the recipient, include hyperlinks to news articles to make their stories more plausible, describe accidents or impending threats to generate sympathy, and specify tight deadlines to make the deal seem juicier.

Read more and get some resources for this on the Scottish Book Trust site. Hat tip on this one to my old colleague Bill Boyd.

Photo: Holley St Germain

June 25, 2012

Googleable or Not Googleable?

Googleable not Googleable
When we're working with schools on our Design Thinking School programme, one of the easiest ways to explain what we're looking for in the way a project is set, is whether the statement or questions being asked can be Googled easily: is this a Googleable or Not Googleable topic?

Every topic, every bit of learning has content that can be Googled, and we don't want teachers wasting precious enquiry time lecturing that content. We want students, instead, to be using class time to collaborate and debate around the questions that are Not Googleable, the rich higher order thinking to which neither the textbook nor the teacher know the answers.

One of our schools in Brisbane, Star of the Sea Cleveland, took my "Googleable" / "Not Googleable" to a very literal end, when they pinned up two headings and got students to post-it each and every question in the class, categorising those which could be searched quickly (the lower order questions) and those which they should dwell on in class time.

This is the kind of meaty discussion that we want in class, and making it explicit in this way means that we cut to the higher order thinking so much quicker.

Read more from our Brisbane school, and how the rest of this particular lesson worked out, on our shared blog.

June 19, 2012

#NeverSeconds: Students can change the world - when we get out of the way

When I was at school, I wrote an article in the student newspaper (the Pupils' View) about how fresh, healthy food was disproportionately overpriced compared to the "yellow food" on offer in the school canteen. The result was that the Catering Director for the Local Authority actually left her job. And I got into a fair bit of trouble.

This all happened in Dunoon Grammar School, part of the Local Authority Argyll and Bute who, with similar sense of grievance and bullying last week attempted to silence one nine-year-old Martha Payne with a brutal, long-winded press release and ban of Martha's online activities.

Martha First Meal
Since the end of the Easter holidays, Martha has been writing a daily food blog about her school lunches, with the support of her dad, as a self-initiated writing project. It also set out in the noble aim to fund the building of kitchens for less fortunate children in Malawi, through the Mary's Meals charity.

Her first posts revealed the tiny portions (hence the name of her blog: NeverSeconds) and, yes, the rather yellow fried nature of her food. But things improved within barely weeks, and most meals were absolutely fine (a summary average of the scores she gave to each meal results in something over 7.5 - not bad for mass-produced school meals, but with room for improvement, a point which was very much Martha's).

Where Martha forgot her camera, she took to drawing her meal. She scored not just out of ten, but also on a health rating, how many mouthfuls it took to get through and, disturbingly, how many pieces of hair were found in it (I've yet to spot the post where there is some hair; again, a good sign).

Within weeks, her notoriety was such that school kids from elsewhere around the world were sharing their meals for Martha to publish on her blog on their behalf. 

TV chefs Jamie Oliver and Nick Nairn championed her and invited Martha over to learn how to cook herself.

Nick Nairn

Vitally, her food portions became bigger, so that a "growing girl" like her had half a chance.

So far, so good, so much a passionate kid with a passion for food, and a good way with words. And a nine-year-old changing her school's approach to food. 

Until last week:

This morning in maths I got taken out of class by my head teacher and taken to her office. I was told that I could not take any more photos of my school dinners because of a headline in a newspaper today. 

I only write my blog not newspapers and I am sad I am no longer allowed to take photos. I will miss sharing and rating my school dinners and I’ll miss seeing the dinners you send me too. I don’t think I will be able to finish raising enough money for a kitchen for Mary’s Meals either. 

Argyll and Bute, the school district rather than the otherwise very supportive school itself, issued a damning edict, preventing Martha from taking any more photos, writing any more blog posts about her lunches. Dinner ladies were, said the illiterate press release (we serve "deserts" to our children, really?), "afraid for their jobs". It was, according to one legal journalist, "one of the most piss-poor justifications of a ban of anything from any public authority".

Martha Payne legal tweet

Celeb chef Jamie Oliver, known globally for his crusade against poor school food, waded in to get people to lend their support with a simple retweet of his "Stay strong, Martha".

Martha Payne Jamie Oliver Tweet

Mary's Meals, for whom Martha's blog had raised £2000 by Thursday night, the day of the ban, issued a statement outlining the consequences of the ban on her efforts to build kitchens in schools in Malawi, a country with whom Scotland has a long-standing official partnership.

Martha's "Goodbye" post earned over 2000 comments and Twitter's #neverseconds tag went into meltdown. #NeverSeconds, the girl Martha Payne and, excruciatingly, Argyll and Bute council all hit the top trending terms in the UK. Her blog, having reached 2m hits in just over a month already, now saw its blog counter unable to keep up as she broke through 3m in one day.

And I was livid for her. How dare councils, and this council in particular, once more attempt to bully those in its learning community. I sent a quick tweet to the Education Minister, who is also the member of the Scottish Parliament for the area, requesting he do something in what had already been established a ridiculous and illegal abuse of power. He tweet back that he agreed, having requested the Head of the Council to lift the ban immediately.

Martha Payne Mike Russell to EM

Within 20 minutes the Head of the Council was on the radio, announcing a change of tack.

Argyll and Bute finally managed a new statement, the politicians showing more sense than their feckless faceless bureaucrats and lifting the ban.

As a result of the debacle, Argyll and Bute has gained a global reputation for awful PR, a tortoise-like reaction time on Twitter and, potentially, an interesting place to go on holiday. Was it all a tourism ploy? Given the repeated mess they get themselves into, they're almost certainly not not that clever.

But, on a positive note, Martha's long-term goal of raising £7000 for a new kitchen in a Malawi school was rather superseded: she was at nearly £50,000 ($100,000) at the weekend just past, now at £100,000 ($200,000) with more rushing in every day

She has also created the beginnings of, hopefully, lasting change: she will head up a council summit on school meals and work with them longer term on improving the quality of food for every child in the district. Happily, she's back to blogging it all once more with the support of her school and, reluctantly or not, her Local Authority. She has now had her first kitchen in Malawi named in her honour.

_60982494_lirangwepupils

Martha shows every facet of great learning: real world change, making the environment around her better, sharing her thinking with the world, having a conscious for the world beyond her immediate horizons, and robustness in the face of incredible media and social media pressure. She is another 'Caine', with a supportive parent and facilitating adults around her. She'll go far.

Donate to Martha's campaign through her blog: http://neverseconds.blogspot.co.uk/

January 05, 2012

Collaboration 7: Implementing the Wrong Solution

Wrong solution
One of seven posts about collaboration and why it nearly always fails to deliver results, inspired by Morten T Hansen's Collaboration.

The quality of the teacher is the number one factor in the improvement of an education system, collaboration is the key factor in improving the quality of that teacher.

Collaboration helps increase academic success, yet most collaboration doesn't work. Here is one of Morten T. Hansen's six key reasons for collaboration failures:
 

Implementing the Wrong Solution

Following on from misdiagnoses, is finding the wrong solution. Learning Management Systems, as described earlier, were the wrong solution to the wrong problem. IT managers were convinced that some IT, instead of some psychology, would help solve the problem of teachers not sharing their work and ideas.

The same's true of those trying to 'protect' young people by not allowing them or encouraging them to post to the open world wide web: the problem is not so much internet predators as the lack of media literacy skills to not put oneself at risk online. The right solution here is not internet filtering or setting school blog platform defaults to 'private', but to set school blog defaults to 'public' and initiate a superb media literacy programme for every student, parent and teacher.

Morten T Hansen's answer is that we need disciplined collaboration, where leaders i) evaluate what opportunities there are for collaboration (where an upside will be created), ii) spot the barriers to collaboration (not-invented-here, unwillingness to help and preference to hoard one's ideas, inability to seek out ideas, and an unwillingness to collaborate with people we don't know very well).

Picture from Noel C

About Ewan

Ewan McIntosh is a teacher, speaker and investor, regarded as one of Europe’s foremost experts in digital media for public services.

His company, NoTosh Limited, invests in tech startups and film on behalf of public and private investors, works with those companies to build their creative businesses, and takes the lessons learnt from the way these people work back into schools and universities across the world.

Ewan’s education keynotes & MasterClasses

Module Masterclass

Do you worry that your school or district could better harness its people, digital technology or physical space? Do you want some actionable inspiration, a mentor for a learning journey with your staff?

In a keynote or masterclass we can give them concrete ideas based on experience, enthusiasm fired by a vision of what can be, and backup before and after to make it happen for them.

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